[Japan Post] Resumption and temporary suspension of acceptance, delivery delays of mail items destined to various countries/territories (Updated on June 30)

Our acceptance of various international mail items has been temporarily suspended due to the novel coronavirus pandemic.
Meanwhile, we will resume acceptance of mail items as noted below from July 1.

  • EMS and parcel-post/letter-post items by surface destined to China
  • EMS and parcel-post/letter-post items by air destined to Italy and New Zealand
  • Parcel- post/letter-post items by surface destined to Indonesia
  • For details on the countries and territories to which acceptance of mail is still temporarily suspended as of July 1, please see the appendix below (PDF).

    appendix (As of July 1, 2020) (PDF file)

    We continue to temporarily suspend acceptance of mail items destined to these countries and territories because their postal operators are still not accepting inbound postal items and/or our transportation performance remains significantly reduced due to reduction of flights from/to Japan.
    Meanwhile, although dispatch of United States-bound items that have already been accepted will be completed soon, we continue to temporarily suspend acceptance of various mail items to the United States because we are unable to make any prospect for securing sufficient transportation capability for the time being.
    In addition, because of the global reduction of flights, considerable delivery delays are expected for accepted outbound mail items.
    We sincerely apologize for the inconvenience. It would be appreciated if you would kindly understand this situation in advance.

    PROSOUND [No.209] 2019 February

    PROSOUND [No.209] 2019 February

    Price: JPY1,800

    Item description

    CONTENTS


    ●Inter BEE REPORT
    Inter BEE 2018 国際放送機器展

    ●Inter BEE REPORT
    INTER BEE EXPERIENCE
    X-Speaker SRスピーカー体験デモ

    ●Inter BEE REPORT
    INTER BEE FORUM:テクニカルセッション
    Audio over IP技術の基本から最新情報  阿部健彦

    ●PROSOUND FEATURE
    WOWOW新試写室

    ●STUDIO REPORT
    松竹映像センター

    ●PROSOUND特別企画
    横浜ランドマークホールに見る
    フルDanteの音響システム

    ●PROSOUND特別企画
    ローランド O・H・R・C・A M-5000
    導入レポート:グランドミラージュ

    ●LIVE SOUND REPORT
    平井 大「HIRAIDAI CONCERT TOUR 2018」  半澤公一

    ●NEW IMMERSIVE CONTENTS
    第3回SARA II(Astro Spatial Audio)  三村美照

    ●LIVE PERFORMANCE REPORT
    神奈川芸術劇場「華氏451度」
    d&b audiotechnik Soundscape導入リポート  内田匡哉

    ●SOUND EXPERIMENTS
    〜臨場感を伝えるDolby ATMOSの可能性〜
    「楽天オープン2018」の生中継ライヴ・ビューイング実証実験
    Linked Horizon/ 劇場版『進撃の軌跡』でライヴと異なる新表現

    ●SOUND TECHNIC
    オーケストラ楽器録音におけるマイクアレンジの比較収録
    -名古屋芸術大学とベルリン芸術大学の取り組み-  長江和哉

    ●PROSOUND REVIEW
    Neumann U67  青野光政
    ROSWELL Delphos & Colares  福地智也
    Universal Audio Apollo X  草間敬

    ●PROSOUND最前線
    AES 2018 国際コンファレンス東京レポート(パート3)  濱崎公男

    ●PRIME TALK
    Zylia ピオトル・セチェコイアック氏

    ●音空の扉
    「TOHOシネマズ」本社訪問!〔後編〕  多良政司、石丸耕一

    ●CD SOUND NAVIGATION
    日本で最も長いエンジニアのためのCDレビュー  岩田由記夫

    ●PROSOUND REPORT
    日本プロ音楽録音賞受賞者発表
    Fairchild 670とAnaloguetube AT-101を比較試聴する

    ●SOUND FETISHISM
    コンピューターを駆使した最先端エンターテインメントの舞台裏  松本昭彦

    ●SAIDERA PARADISO
    『COMME des GARÇONS SEIGEN ONO』30周年記念  オノセイゲン

    ●INDEX
    バックナンバー

    ●SURROUND TERAKOYA LAB
    サラウンド寺子屋塾 in 名古屋2018
    CBCテレビ『伊勢神宮・命あふるる神々の森〜五十鈴川を行く〜』  沢口真生

    ●NEWS
    新製品ニュース

    ●NEWS
    PS INFORMATION

    Specifications

    Released January 18, 2019